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  • Give it Your Best Shot • Re: Dancers in the Dark - St. Louis Ballet (A7III high ISO) January 24, 2020
    .Brilliant series of a backstage atmosphere that are neatly shot, Sig. Very enjoyable and curious to observe the quiet wait before each and everyone of them thrust themselves into action on the stage. Thanks for sharing. Congratulations on your new camera upgrade. Hope we see more photos from whichever camera/lens you prefer to use. YildizStatistics: […]
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  • Give it Your Best Shot • Re: Dancers in the Dark - St. Louis Ballet (A7III high ISO) January 24, 2020
    Thank you Sig for the detailed answer. I seem to recall that one adapter is better for SSM lenses and so no good for non-SSM lenses like the ZA 85 or the ZA 135. Last question, do you see a difference in auto focus performance between the 70-200 versus the 85?Thanks again.Statistics: Posted by jbtaylor […]
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  • Give it Your Best Shot • Re: Dancers in the Dark - St. Louis Ballet (A7III high ISO) January 24, 2020
    Thanks Sury, JT, & Valery!JT, for normal everyday photography, I usually pair the A7 with several small Minolta prime lenses that I have (24, 50, 135). They look and feel perfectly at home with the camera and adapter. A newer large prime like the 85 ZA is borderline. It's only when I attach the heavier […]
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Past Article Calendar

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Larmor 5th Generation glass screen protector with Sunshade

We’ve fitted GGS or similar toughened laminated glass screen protectors to our Sony bodies ever since way back in 2011, we were the first Alpha web resource to publish information about NEX screen delamination and how to repair a deteriorated LCD using one of these great products.

Replacing NEX LCD Cover Glass

Of course it . . . → Read More: Larmor 5th Generation glass screen protector with Sunshade

Sony A7RIII review in Cameracraft

Read David Kilpatrick’s review of the Sony A7RIII

Cameracraft January/February started the A7RIII test report, and March/April 2018 continued it. Both are free to read now on ISSUU. In the second issue you’ll also find the review of the 24-105mm f/4 FE G OSS lens. In the first issue, Gary Friedman looks at the RX10 . . . → Read More: Sony A7RIII review in Cameracraft

Sony A7RIII – more than a skin deep upgrade

With a body-only price of £3,199/$3,198, the third generation of the A7R came as a surprise to Sony’s own photo studio, who labelled most of the product pictures release on Wednesday as ‘A7RM2’ instead of ‘A7RIII’. We’ve changed the filenames on our system, but countless mediafolk of the future will be confused. They do after . . . → Read More: Sony A7RIII – more than a skin deep upgrade

Alpha A9 promises professional performance

You can order the A9 here – any of these links to order will help photoclubalpha pay our way.

B&H have it listed

WEX in the UK (also Calumet)

Amazon (co.uk)

The front view below of the Sony Alpha A9 body, introduced today, gives a subtle clue about changes under the hood. For . . . → Read More: Alpha A9 promises professional performance

Sony A6500 – IBIS, touch screen, 200k shutter, €1700 body

Sony’s official press release – we’re working here on magazines with deadlines tonight so this is unedited hot news. Enjoy!

Sony today introduced its new flagship APS-C sensor camera, the α6500 (model ILCE-6500). As the latest addition to Sony’s line-up of award winning mirrorless cameras, the new α6500 shares the same unrivaled 4D FOCUS™ . . . → Read More: Sony A6500 – IBIS, touch screen, 200k shutter, €1700 body

A7RII shoots in Iceland’s glacier caves

Sony camera sensor technology enables a closer look at some of Mother Nature’s rarest sights that could not previously have been photographed in this way

Story: Sony Corporation UK PR release with high resolution images and full metadata – click to view. All images are copyright and may not be copied or reproduced.

. . . → Read More: A7RII shoots in Iceland’s glacier caves

Capturing Autumn colour better

Upper: unprofiled (Standard) raw conversion. Lower: using a tunsgten-light generated custom camera profile, combined with a polarising filter, gives a more vivid impression.

Most Alpha system users know that some – not all – cameras have a special JPEG mode for Autumn Colours. They’ll also know that if you shoot raw, with no JPEG . . . → Read More: Capturing Autumn colour better

B&H has Hasselblad HV offer again

Hasselblad HV from B&H

I feel slightly sick… I’ve spent so much on buying and replacing successive Sony A7 series cameras and their lenses that I can’t just buy this outright, which I would love to do. I sold my A99 to get the A7R (subsequently replaced by A7II, and now by A7R II) . . . → Read More: B&H has Hasselblad HV offer again

Canon’s 250 megapixel sensor – the reality

Here’s this morning’s news:

United Kingdom, Republic of Ireland, 7 September 2015 – Canon Europe, a leader in imaging solutions, today announces that its parent company, Canon Inc., is developing an APS-H-size (approx. 29.2 x 20.2 mm) CMOS sensor incorporating approximately 250 million pixels (19,580 x 12,600 pixels), the world’s highest number of . . . → Read More: Canon’s 250 megapixel sensor – the reality

A7R II – universal solution, lens challenge

I’m under pressure to take endless pictures with the A7R II which arrived from WEX (Warehouse Express) on Thursday superbly packed. I am also finishing off f2 Freelance Photographer magazine to go to print over the weekend and have many hours of work to do – and despite having the camera, I won’t be removing . . . → Read More: A7R II – universal solution, lens challenge