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  • Off Topic • Re: Sony World Photography Awards April 25, 2019
    I'll bite on this one my quick critique!Shot 1: I like the subject but all that space above his head, and there is no texture of anything interesting going on there2: A woman walking across a dried out hard mud field with a blown out sky, doesn't work for me says nothing about the person […]
    bfitzgerald
  • Alpha A-mount System • Re: Should I get rid of my APS-C gear? April 25, 2019
    You will need to get high end glass to do a full frame sensor justice and even then some edge performance can be less than perfect, I moved over to a Panasonic DMC-FZ330 Bridge, ( no more bag of lenses ) small sensor but the Leica F-2.8 constant Vario Elmerit zoom goes a long way […]
    classiccameras
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  • Lens Lore • Re: Fast AF Telephoto lens suggestions? April 25, 2019
    Minolta 80-200 very sharp at 2.8 from 80 to 200, but I did micro adjustment in 80mm and 200mm , some people complain about 200mm, but they use this lens for Sony cameras without micro adjustments. In my camera set for Minolta 80-200: W end -7, in T end +10, and it's sharp like "a […]
    ValeryD

Past Article Calendar

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Voigtländer FE 10mm f/5.6 and 15mm f/4.5 III

I got to try out the first new Voigtländer Sony FE mount lenses with electronic aperture setting and manual focus control with a quick overnight test during the UK Photography Show at the Birmingham National Exhibition Centre, on March 19th 2016. The pre-production 10mm f/5.6 Hyper-Wide-Heliar and 15mm f/4.5 Super-Wide-Heliar are two of a . . . → Read More: Voigtländer FE 10mm f/5.6 and 15mm f/4.5 III

Samyang 12mm f/2 NCS CS lens

Sometimes you find a chunk of glass which just works. One of the problems with lenses is that you can never have too many. They overlap, they duplicate each other, and yet they can be so different that you need every single one. The new Samyang 12mm f/2 for mirrorless APS-C systems is one . . . → Read More: Samyang 12mm f/2 NCS CS lens

Sony’s Zeiss 24mm f/2 Distagon ZA SSM T* reviewed

The Sony Zeiss 24mm f/2 SSM Distagon ZA T* is probably the best, or equal to the best, in its class. It may perhaps be the best ever 84° angle fast lens ever made for the general SLR system market, and I would happy to pitch it against any of the current equivalent offerings for . . . → Read More: Sony’s Zeiss 24mm f/2 Distagon ZA SSM T* reviewed

Tokina 11-16mm f/2.8 SD (IF) DX

TOKINA lenses – the brand name for optical giant Hoya’s interchangeable range – have always been renowned for their tank-like build quality and resistance to plastic trends. They compare so well with Nikon’s own lenses it is hard to tell the difference by feel, and the current design also matches Nikon more than it does . . . → Read More: Tokina 11-16mm f/2.8 SD (IF) DX

Zeiss announce 18mm f3.5 – not for Alpha

The parallel development of Carl Zeiss lenses for Sony (AF lenses in the Alpha mount) and independent manual focus lenses for other makes continues. The latest CZ design is a revision of the classic 18mm Distagon last seen in the Contax system, optimised for colour balance and reflection supression with digital SLRs.

. . . → Read More: Zeiss announce 18mm f3.5 – not for Alpha