(Updated June 15th after press conference) The new Sony A7R II is the camera I’ve been waiting for, which everyone has predicted, and which seems to tick every box without having a huge price label on its own. I find the $3,200 (UK coinfirmed £2,600) matches its stated specifications well. Others may disagree, but they’re probably influenced by […] . . . → Read More: Sony A7R II, RX10 II, RX100 IV – making everything else obsolete
The launch of and initial reaction to Sony’s Alpha 99 has been spoiled, for many, by the overpricing of the camera generally and to a greater degree in some key markets. The promise of the SLT design, and Sony’s move away from flapping mirrors and optical prisms with their associated collimation and alignment, was one […] . . . → Read More: Sony’s Alpha 99 – mastery wrapped in dilemma
Side by side on my light table (which collapses with a ‘pop’ when sixteen tons of Nikon is placed on it), and the NEX-7 is given the foreground role to avoid any accusations of using perspective to make it look tiddly. I’m writing some reviews of the Nikon and other new professional DSLRs for the British […] . . . → Read More: David and Goliath? Nikon D4 dwarfs NEX-7!
AWARD winning event photographer Keith Trainor – winner of the first ever UK Event Photographer of the Year title in the annual British Professional Photography Awards – hits the road with Sony shortly in the UK to bring a profitable, high energy new line of business to established photo studios and new business entrants. . . . → Read More: Sony workshops with A900 & dye-sub – UK
CLICKING on key mapping points of a face, then adjusting some simple overlaid Bezier curves using movable anchors, it takes only a minute to load a typical headshot portrait into Portrait Professional. . . . → Read More: Portrait Professional handles Sony A700 raw files